![]() ![]() That part lies on its extremely witty screenplay where often Ray literally played with the words. ![]() Another point I want to make: if the viewer doesn't know Bengali and relies on subtitles, he/she misses a good percentage of its fun. Ray primarily directed the film to his readers but also made sure it satisfies all kinds of audience. There is plenty of humor and excellent visionary of Rajasthan too. That's why crime and detection is not the only theme of this film. So he makes it more like a modern thriller - he showed the crime and criminals at first and now the theme becomes how Feluda unfolds it. But Ray thought the concept of detection as a theme in this film will not make the viewers see it more than once. The novel is a fantastic detection story with sharp plot twists. Now I have seen the film about ten times and what fascinated me is how Ray changed the whole structure of the book while making this film. ![]() ![]() As a book, "Sonar Kella" is one of the all-time bestsellers. So it was not surprising that he would make one of them for the screen. With calculated amounts of wit, suspense, action and humor, the stories are considered classics of modern Bengali literature. Among over two-hundred novels and stories Ray had written especially for teenagers, the detective stories of Feluda are by far the most popular. First of all, I think I'll add a short introduction to Feluda stories. ![]()
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